As filmmakers prepare to resume production after months of shutdown, Tyler Perry has a message for Hollywood: Shooting during a pandemic is challenging.
The Atlanta-based producer was one of the first major filmmakers to power back up production in the wake of the coronavirus health crisis.
He recently wrapped two weeks of filming for the second season of “Sistas,” a BET Networks show about the lives of four single Black women.
LIST OF CONDITIONS
At his so-called “camp quarantine,” Perry implemented a 30-page list of conditions including frequent testing and sequestering cast and crew for “Sistas” at his sprawling Atlanta studio, which is on the site of a former army base.
So how did he fare? Perry said his experience was successful and that there was no COVID-19 outbreak during production. But he had to go to great lengths to make that possible — and there were hurdles along the way.
Even with extensive safety precautions, several crew members contracted the coronavirus during preproduction. In the weeks before filming on the quarantined set, cases would show up every four days among the crew during preproduction. And there were also delays in getting test results in a timely fashion, Perry said.
“To be honest with you, I don’t know how it’s done safely unless you’re quarantined or you’re testing every day,” said Perry, creator of the “Madea” films.
Perry was well aware of the risks. Before production restarted, COVID-19 had claimed the life of Emmy-nominated hair stylist Charles Gregory Ross, a crew member he had worked with for many years.
In Southern California, many major film productions are still working to relaunch production after almost all filming was shut down since the pandemic outbreak in March. Unions and producers have been working with health officials to formulate detailed guidelines for safe filming on sets without risking new outbreaks.
Most of the filming that has resumed in L.A. County has been smaller commercial and music shoots. The threat of a second wave has given some producers renewed pause.
Perry’s experience is being closely watched for how safely crew members can work together in jobs in which social distancing is often hard to implement.
Under the rules set by the major Hollywood unions and studio producers, crew are tested weekly or every three days if unable to socially distance. But Perry’s protocols went even further.
Cast and crew were tested two weeks before flying by private plane to the set, and then again on landing in Atlanta, and then sequestered in private rooms until the results came back.
Some of the cast and crew tested positive on arrival to set and were sent for medical attention. Masks and social distancing were observed on set during filming and there were no positive tests during the shoot. Crew were not allowed to leave for 14 days and were tested every four days.
One takeaway for Perry was how effective masks can be at preventing the spread of the virus. A driver became infected with the disease but none of the crew members who drove around with him in a car got sick because all had been wearing masks, he said.
While nasal swabs are the most reliable method of testing, they can be uncomfortable, so the crew shifted to tonsil swabs instead. If they had insisted on nasal swab testing every four days, “A lot of people would have tapped out,” he said.
Some cast and crew with whom Perry has worked had preexisting conditions such as cancer and did not want to work, Perry said.
“I said to them, ‘Listen, if you have preexisting conditions, it’s OK to sit this out,’” he said. “I was the most concerned about them. But I’m so glad that my crew did above and beyond to make sure everybody was safe.”
Perry is now pressing ahead with his next shoot for BET’s “The Oval” about a family in the White House. The production company will take a week off to clean, resterilize the housing to get ready for the next group.